Get The Look: Goo

Sonic Youth's sixth album, Goo, has one of the most iconic covers of music history.

This early 90's wonder can be found in most record stores and, if you are a music lover,

I bet you have had it in your hands thinking if you should buy it in that moment or not.

But in those moments when you were pondering if you should finally add it to your brand-new record collection or leave it for another time you come across it, you probably didn't realise you were looking

at an artwork inspired by a photograph of the witnesses of a serial murder case.

Sonic Youth have always liked to rely their covers to artists: Richard Prince, Gerhard Richter,

Richard Kern, Mike Kelley... This time it was Raymond Pettibon's work, known for his

comic-like drawings with disturbing, ironic or ambiguous text. He based this work on a

paparazzi portrait of Maureen Hindley and David Smith, witnesses in the trial of Moors Murders.

If you feel like today it is all whirlwind, heat and flash and you want to dress appropiately for it,

you will just need a houndstooth coat, a black turtleneck sweater, some Ray-Ban sunglasses 

and a dark bob wig to become a real kool thing.

Get the look: Teddy Girl of the 50's

The British Teddy Boys are a subculture formed by 50s rock ‘n roll dandies in long jackets and creepers. They were the first youth group in England to differentiate themselves as teenagers, helping create a youth market.

But parallel to this, there was a whole subculture of Teddy Girls (also knows as Judies).

They dressed much like their male counterparts, sporting short hair, pants, sharply cut suit jackets and flat shoes. Their choice of clothes wasn’t only for aesthetic effect: these girls were collectively rejecting post-war austerity.

They were young working-class women, often from Irish immigrant families who had settled in the poorer districts of London - Walthamstow, Poplar and North Kensington.

They would typically leave school at the age of 14 or 15, and work in factories or offices. Teddy Girls spent much of their free time buying or making their trademark clothes.

It was a head-turning, fastidious style from the fashion houses, which had launched haute-couture clothing lines recalling the Edwardian era.

 

Get some inspiration with these Ken Russell's pictures. In 1955, this photographer created a series called The Last of the Teddy Girls, which featured photographs taken against the war-torn backdrop of London’s East End.

These quiet portraits -a direct contrast to Russell’s later bombastic directorial style (Women in Love, The Devils, The Boyfriend and The Who’s rock opera Tommy)- are an unexpected and exceptional historical record of cool.

"They document both the attitude and innocence of 1950′s youth and are an embodiment of the rebellious nature that Russell possessed throughout his life."

 

Don't forget to pair all of it with the proper attitude!

[sources: 1 2 3 4]

Get The Look: Godzilla and I